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Wednesday, November 11, 2009

Curse of the Starving Class Review

Last Friday night (November 6), I attended my first college show, Curse of the Starving

 Class at our school Loewe Theatre. I was totally impressive and enjoyed by this tragicomedy

Show because its actors, stage sets, interaction and mordant tone create an extremely amazing

and living work of art before my eyes.

            Curse of the Starving Class is one of the well- known show of Sam Shepard’s plays, first

seen in New York in 1978. The show mainly focuses in the dysfunctional family. The father,

Weston ( Jon Peacock ) is an alcoholic, barely show up at home and he is planning to sell the

house in order to have a fresh start in Mexico. The mother, Ella ( Deniele Cloutier )is a

deceptively fragile- looking natcase , a woman who dreams of using the money to go to Europe.

The son, Wesley ( Frank Magnasco), is a young man distraught and depressed at their

impoverished existence. The daughter, Emma ( Tara  Sohin ) is a rebellious teenager, is

desperate to grow up and leave home and become a mechanic. This strange family always

struggle for escape from the starving class in the show.

Curse of the Starving Class was directed by Jonathan Kalb. And the show had 3

Acts and lasted two hours and thirty minutes totally. That was a brief pause between Acts1 and

2, during which the audience is requested to remain in their seats. And there was a 10-minutes

intermission between Acts 2 and 3. I think this arrangement was very suitable and thoughtful.

During the show, I found that most audiences enjoyed it very much. Mostly they were Hunter

students who are taking theatre class. And some of them were adults and elderly. There were lots

of  fun and laughter of this show. I feel very connected with the show. feel very connected with

the show because when Ella ( Deniele Cloutier ) hit and waken her drunken husband on the

kitchen talbe.we all laughed and gave the reaction to the stage. When Wesley ( Frank

Magnasco), ate the food from the floor, I felt very awful and disgusting. There was a good

interaction between the audiences and stage.

            After I saw this production, I think the director (Jonathan Kalb) is trying to show us that

human suffering and fate to very specific and contemporary social issues. The family whose

plight is dramatized indeed beset by a curse about which they can do nothing. Because the family

comes from lower- class, they are not able to escape from the reality. Their dream will not come

true. Therefore they suffer from starving forever. This suffering is not only about physical, but

also including spiritual. There is more painful for them to be suffered from spiritual. I

remembered that just like Ella (Deniele Cloutier ) says in the second act. She said that this curse

is “ invisible but it’s there. It is always there. It comes onto us like nightmare.”

            First of all, the stage elements of this production have a strong symbolism. The main

stage set was the kitchen of a farmhouse. Obviously, there was a table with few mismatched

chairs in the middle, a small gas stove and an empty refrigerator at the right hand side, a TV

set which showing a sick lamb walking on the grazing and a broken door at the back .

Significantly, the huge, empty refrigerator represented the spiritual hunger of this family. The

sick lamb represented sacrifice and innocence because the lamb was killed in Acts 3. The broken

door represented the barrier between the family and the outside world. Therefore, I think the

stage sets of this production had a strong symbolic meaning. I thought this was what does the

directors wanted to show up to the audiences.

            In addition, I thought most of the actors would embodied and portrayed the characters

physically and emotionally, especially Jon Peacock and Deniele Cloutier. Jon Peacock

effectively played the drunken father by yelling at his son crazily, sleeping and falling down on

the kitchen table. And he expressed mixed emotions very well, such as anger, sad, and

impetuous. Also there was a strong and subtle performance form Deniele Cloutier as a queer,

strange and lousy mother. I was impressive by her costume and gestures. She was dressed by a

bathrobe and curlers in her hair in Acts1. That is so funny and humorous. She shifted in a

psychopathic movement and kept on shaking her fingers and head during the show. I think she

really fitted into this nuts character. Also other supporting actors always played very well.

Overall, the actors did a great job in this production.

            Furthermore, technical use was quite common and effective. Technical director, David

Bean used the screen to help the audiences to picture the scene and flashback. The best use was

in Acts 3. The screen showed a terrifying image, like a cat and an eagle tearing each other apart

in the sky , but unable to release their hold on one another. Even thought it was terrible, it would

help the director to explain the relationship of the family and how what the family is. This

family’s relationship is sticking together.

            However, I do have some recommendations to make the show better. First of all, the

make-up desperately need to be improved. I feel very sorry that when Emma ((Deniele Cloutier )

should be covered in mud from being dragged by the horse at Acts1. Sadly, I did not see it! That

is very disappointing for me! Secondly, I expected to see a live lamb on the stage before I

attended the show. However, there was only the TV set which playing a video about the lamb.

That  make us feel very unreal.

            In conclusion, I think the show is quite outstanding. The director, actors, and technical

director played an important role in this production. I will highly recommend it to everyone. You

should not miss this good show!

 


Monday, November 02, 2009

busy busy and busy

so much work, too little time

homework...readings...projects..tests...presentation...entertainments...hahaaaaa

those drive me crazy..i have to do everthing as sooner as i can...


Tuesday, October 13, 2009

Hard and excited

 I am done of my first mid-term in Hunter.just so so,i meant my performace.

My mum came to New York for few weeks and visited me and my college...

 

   


Thursday, October 01, 2009

The Lion King Review

        Last Sunday night (September27), I attended my first Broadway show, The Lion King at

Minskoff Theatre in Manhattan. I was totally impressived by this musical show because its

scenic effects, costumes, and music create a living work of art before my eyes. The show was

extremely spectacular and amazing.

     The Lion King was directed by Julie Taymor who also designed its amazing costumes

and creatures. And the show had 2 Acts including twenty scenes in total. As we all know,

The Lion King is one of the most famous and beloved shows around the world. The show is

about Simba (Dashaun Young), son of the strong and wise king Mufasa (Nathaniel Stampley),

who lives a happy childhood until his evil uncle Scar (Derek Smith) plots to take over the throne

and  drives Simba away from the kingdom. In exile, Simba meets Pumba( Ben Lipitz), the

hilarious warthog and Timon (Dabby Rutigliano), the funny meerkat and he learns their motto of  

the carefree life,“Hakuna Matata’’. However, as Simba approaches adulthood, he realizes what

he has left behind and that he must reclaim his destiny as king of Pride Rock.

     After I saw this production, I think it is trying to bring an entire African jungle and its

menagerie of animals thrillingly to the stage. I believe that it’s very successful reaching its goal.

The Lion King makes the African savannah come alive through a colorful array of scenic effects,

costumes, and creatures on the stage. For the scenic effects part, I am not only can see the effect

of the half human, the half animal actors, but also I can see the orange paper sun at  scene 1

“Pride Rock’’, the savannah grasses rising from the stage and top of human heads at scene 1 “Be

Prepared ”, a blue cloth that becomes a stream and waterfall at scene13 “The desert/The Jungle’’

(all from Act1), a million bulbs becomes a sparking sky at scene 4 “Under the Stars” (Act 2). I

think those scenic effects are amazing and attractive to me because it brings me a colorful and

imaginative picture in my mind.

     Furthermore, I saw lots of amazing costumes and creatures which  are designed by Julie

Taymor too. These costumes are beautifully rendered with the impressive African Jungle too.

For example, the giraffes were operated by ensemble actors on stilts concealed with the animal’s

skin. The front legs of each zebra belonged to ensemble actors who wore the same skin as the

animals when they were giving the performance. Also ,the director Julie Taymor designed some

specific creatures on the stage, such as wildebeests, African elephants, antelopes, hyenas and 

stage set, such as poles, animal silhouettes on backcloths  in order to create a real African

environment to the audiences.

     Besides that, The Lion King blends Western popular music with the distinctive sounds and

rhythms of Africa. The majority of music comes from the familiar pop sound of  famous singer

Elton John and great composer Tim Rice. For example, “Circle of  Life”, “Be Prepared’’, “Can

You Feel the Love Tonight”, “He Lives in You”, and so on. However, there were also the

African rhythms by Lebo M and his “One by One” tribal chant song at the beginning of Act 2.

The actor Tshidi  Manye as Rafiki the baboon shaman performed this African rhythms to us.

Even though, I didn’t understand the language, I felt that she was trying to show up the African

elements and culture to the audiences. Also, the show uses different kinds of music instrument,

such as ,violin, flute, bass, trombone, guitar, percussion, woodwind. Meanwhile, it also used

Africa drums, mallets. Thus I think the music part has artfully blended the Western music with

the African  music.

     In addition, I think the director is so smart because I found that the majority of actors are

black or African. Because The Lion King is going to show an entire African jungle, thus the

director chooses the right actors to fit into the roles to make the characters more believable .Also

I want to say, the actors’  movements and the gestures were very familiar with the animals. They

could embody the character physically, vocally and emotionally. I  think they have worked so

hard to at  being skillful.

     During the show, I found that most audiences enjoyed it very much. The audiences come

from different ages . They were children, youngsters, adults, and elderly and some of them are

European  tourists. I feel very connected with the show because when  Pumba( Ben Lipitz), and

Timon (Dabby Rutigliano) who were telling jokes, we all laughed and gave the reaction to the

stage. Also, when every scene ended, we all cheered and clapped our hands. Also when Simba

was fighting with Scar,I felt very nervous and worried about him, even I knew he would win

finally. I was so curious about how he fought to defeat with Scar and what is the bigger

difference between movies and live show? Because it’s  live and could not be retake. Eventually,

the action and movement were very smooth and fluent.

     I think The Lion King translates some important messages to the audiences such as obedience,

truthfulness, not running away, and taking responsibility. That is very essential for our children

and the next generation. And my favorite scene is the beginning at Act 1, all the animals in the

kingdom come to see their new –born prince, the young Simba (Clifornd Lee Dickson).

It is a powerful scene, beautifully rendered with impressive art and music. Generally, I would

like to say The Lion King is very worthy and I am definitely seeing it again. But I do not

recommend you walk in to get the tickets.  Here I have a recommendation to make the show

better. Because there was 15 minutes intermission during Act one and Act two, I would like to

suggest that if the show can reduce the intermission to  5 to 10  minutes. Because during the

intermission, there were lots of people taking pictures, talking on phone and eating their food

inside that is not allowed on the theatre . They did not realize that they destroy the mood of the

performance and  I felt  quite disturbing to me, even to other audiences.

   

大家睇完有冇頭暈?定係你冇睇?skip左呢?hahaaa...


Saturday, September 19, 2009

開學有感...

 我的大學生涯終於都展開左了...真的百感交集!

第一個星期,真係覺得好辛苦,even我做晒備課,都真係唔知個professor講緊咩,而且佢地個個都係native fast speaker,non-stop,唔用blackbord,no notes. 佢講的野,就係notes..想死啦.同學都係咁, group discussion or debate簡直係快到無人有.而且功課方面真係好多.好恐怖,下下都係3to4 pages 的papers,仲有日日都有at least 60 - 70 的reading handouts,仲要個個字都係amademic words.check 都check死人啦.

真係好辛苦都捱話第一個星期.

之後第2,3個星期,情況開始改善,事關我做左double的備課同準備功夫,hahaaaaa,而且都開始認識到唔同的同學,同佢地交流,問佢地的意見,同埋都開始慢慢適應大學的上課模式.

even 我依家仲未完全pick up晒所有野,不過我會更加努力!因為10月頭有多份paper research ,project, theatre production review,essay,最慘的就係10月中的mid- term examation....so fast.....i have to kick off it .

P.S1 最近發現自己打中文好慢,完全唔記得晒D碼

P.S2 2009年9月17日,一周年了

P.S3香港的同學,你地都要加油

P.S4 夜間最恐怖的感覺,竟然唔係孤獨寂寞,而是 ----------------------- 飢餓( 因為每星期五,打完羽毛球都好想食野呀)

09-09-19_20-561 09-09-19_20-57

09-09-19_20-55 lovely flowers on my desk



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